I was asked to shoot a photo pool for Zeag Energie AG, capturing people, landscapes and drone pictures along the way. We ended up turning it into a full visual concept for the company, from shooting to post production.

ZEAG ENERGIE AG

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For TransnetBW we developed a visual concept that has shaped the brand’s visual language over many years and continues to evolve over time. The series explores the energy infrastructure running through the landscape of Baden Württemberg, from power lines and towers to substations and technical environments. Light, scale and structure define the imagery, translating this complex network into a clear and consistent visual identity.

TRANSNET BW

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Created for Schock in collaboration with designer Michael Schad, this series explores product presentation through constructed miniature worlds and highly stylized compositions. Each setting was developed as an individual visual environment, combining color, material and spatial detail to frame the products in an unexpected way. The photographs move beyond classic product imagery and use scenography to create playful, graphic and design driven narratives.

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Developed for TenneT, the series explores how energy infrastructure appears within landscape and light. High voltage lines, substations and service environments are photographed as spatial structures that define the horizon while remaining largely invisible in everyday perception. Natural light and open composition create a calm visual language that translates technical systems into atmospheric images.

Tennet

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For Mateco, a broad visual library was developed across everyday operations, technical detail and working environments. The series combines documentary observations with structured corporate imagery, showing service processes, equipment and employees in real working situations. The aim was to build a versatile visual archive that supports consistent communication across digital and printed media.

Mateco

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Developed across several independent productions for Festool, this series moves close to the tools and the hands that operate them. Material, grip and motion define each frame, observing the moment where precision becomes visible. Each image is built around the point where tool and craft meet, where the object in use reveals more than any static presentation could.

Festool

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